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You'll find the 10 most recent concert reviews below. All others can be found by clicking the Press Archive. For CD reviews please visit the CD section of DanielHope.com and click on the corresponding recording. |
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October/November, 2007 |
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» Buckkritiken, Germany |
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"Daniel Hope (33) ist kein Dichter. Er ist ein sich in den Weltruhm hinaufspielender Geiger. Er hat es geschafft. Er konzertiert höchst erfolgreich rund um den Erdball...… |
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September 13, 2007 |
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» Financial Times, Germany |
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Veröffentlichungen der Woche
Klassik - Daniel Hope spielt "Felix Mendelssohn: Violinkonzert e-moll, op.64".… |
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July 25, 2007 |
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» The Boston Globe, Boston |
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“LENOX -- "The weekend also brought a second welcome debut with the Boston Symphony Orchestra: that of the young British violinist Daniel Hope, who played Beethoven's Triple Concerto on Saturday night with his colleagues from the Beaux Arts Trio, and returned on Sunday with Beethoven's Romance No. 2.… |
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June 2007 |
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» The Toronto Star, Toronto |
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"...Hope is an impressive player who can be spirited as well as sensitive. His technique is beyond reproach......"
By John Terrauds |
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May 13, 2007 |
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» The Sunday Telegraph, London |
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“Elgar formed the centerpiece of the City of Birmingham Symphony's latest programme, with the Violin Concerto..........the Finnish conductor Sakari Oramo is one of those non-British interpreters who, unencumbered by 'tradition', finds fresh ways of getting to the heart of Elgar. |
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May 5, 2007 |
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» The Guardian, London |
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“The City of Birmingham Symphony Orchestra, whose first concert ever was conducted by Edward Elgar, is gearing itself for a major contribution to the composer's 150th anniversary weekend next month.
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May 4, 2007 |
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» The Birmingham Mail |
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“ TOWARDS the end of Elgar's violin concerto, when the soloist's agonisingly beautiful playing was contrasted against the murmur of strummed orchestral strings, time seemed to stand still. Such was the power of this performance.
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October 2006 |
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» International Record Review |
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“ This is some of the freshest, liveliest Bach-playing I have heard.............even though it is on modern instruments, this music-making is very much informed by historical performance practice.
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September 2006 |
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» Berliner Zeitung |
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"The way Hope masters his instrument.....qualifies him as a musician on a par with Gidon Kremer"
["Wie Hope sein Instrument als Individuum versteht.....das qualifiziert ihn als Musiker auf dem Niveau eines Gidon Kremer."]
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September 2006 |
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» musicalamerica.com |
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"Here in Berlin we got a partially British program, with Yehudi Menuhin's brilliant protégé Daniel Hope and Jonathan Nott launching the evening with Benjamin Britten's 1950 revision of his 1939 Violin Concerto, followed by "The Shadow of Night," a kind of tone poem by Sir Harrison Birtwistle.
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